Portrait Of Charles II Of England In Coronation Robes —created in London, United Kingdom, in 1661, is an artwork attributed to John Michael Wright that depicts King Charles II adorned in his opulent coronation attire. The artwork captures the monarch seated on a throne, draped in rich fabrics and regal insignia, reflecting the grandeur and associated with the British Monarchy during the Restoration Period. The composition employs a traditional approach to Portraiture, with Attention to intricate details of the ceremonial garb and the solemnity of the royal expression. The artwork is housed within the Royal Collection at Hampton Court Palace, where it remains a significant piece reflecting historical and cultural narratives of 17th-century England.
Genealogy
Portrait Of Charles II Of England In Coronation Robes is entrenched within the visual and political Dynamics of 17th-century English monarchy, encapsulating the restoration of the Stuart Line and the reestablishment of royal authority following the Commonwealth period. The title itself signifies not merely the personage of Charles II but the reinstated ceremonials and grandeur of monarchy, as manifested in his coronation. Key figures such as Oliver Cromwell, who led the previous republican Government, and Charles I, the executed father of Charles II, Form a backdrop against which this portrait derives its political Resonance. Historical locations like the Westminster Abbey, where Charles II's coronation took Place, are directly and thematically woven into the fabric of the portrait's ostentatious display. The intellectual milieu of this period, marked by Hobbesian views expressed in Leviathan on the Necessity of sovereign Power, echoes through the Painting’s emphasis on divine right and regality. Texts such as Claredon’s History of the Rebellion and Civil Wars in England provide insights into the tumultuous era preceding the restoration, underpinning the portrait’s Context. Through its successive uses, the portrait has been both a Reinforcement of royal permanence and an item of political Propaganda, utilized to legitimize subsequent claims to the throne. In Juxtaposition with other portraits from the same era, such as those of Louis XIV of France, Portrait Of Charles II Of England In Coronation Robes emphasizes the shared motifs of divine rule and monarchical splendor. The structural undertone of Portrait Of Charles II Of England In Coronation Robes lies in its embodiment of a restored monarchy, juxtaposed with the Instability that preceded it, reflecting broader discourses on power, Legitimacy, and the ceremonial revival of monarchy during a pivotal chapter in England’s history.
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